Showing posts with label Born With A Tooth. Show all posts
Showing posts with label Born With A Tooth. Show all posts

2010-06-20

on home

For a man who's chosen to live in New Orleans, Joseph Boyden puts considerable weight in the salvation of returning home.

I'm still reading Born With A Tooth, and loving his short stories. But as I work through the seasons of a year -- each season gets three or four stories -- I'm struck by how "going home," often going back to reserves in northern Ontario, is seen as something of a happy ending.

This does not mean the collection is actually full of happy endings. Indeed, there's enough stark violence in some stories (and sweet childhood innocence in others) to make for tales that will surprise you. As usual, Boyden's way with language is beautiful, and something so very necessary in Canadian literature.

But like in his award-winning novels (and here's something of a spoiler alert), the stories he tells reach for home. Perhaps a romantic ideal of what home could be, or a remote reality many Canadians don't realize. He doesn't write the return as the answer to all problems, but for his characters, he seems to believe that going back to one's roots, culture and family is a start down a solid road.

It's an interesting idea to reflect on.

Something else to reflect on, from his story "Bearwalker:"

"Reporters and TV crews swarm around the reserve, eating up the tidbits about black magic, interviewing anyone they can.
One of the first is Old Lady Koostachin.... Her English isn't that good so her granddaughter stands beside her and translates. The reporter's a pretty, serious blonde woman who comes off as talking down to Mrs. Koostachin.
'So the belief,' the reporter says, 'among your people, among your tribe, is that Francis Killomonsett is a bearwalker, somebody who can physically transform himself into an animal of his choosing?'"
(p. 101)

A link to share -- Boyden answering questions from a high school class in Saskatchewan.

2010-06-07

a woman's life

So... I'm all into self-reflection mode.

Apologies if you're already bored by this particular phase, which is most notably marked by a new blog I've created to chronicle the months ahead.

In keeping with this theme, however, I thought I'd share my brief thoughts on Carol Shields's exquisite book, The Stone Diaries. Really, these thoughts boil down to a fervent recommendation -- once you start this novel, you can't stop reading.

Meant to be written as though it were a woman's autobiography, the book settles into the quiet moments of her life. Chapters are sketched out as "birth," "childhood," "marriage," "love," "motherhood," "work," "sorrow," "ease," "illness and decline," and "death." In some ways, this boils a life down to the highlights, not the drama. If I could compare it to anything, the idea is something similar to a Canadian history text book, full of general summaries highlighted by key moments.

Does that make it sound boring? It really isn't. The point I'm really trying to make is that Shields had this absolutely magical way of telling stories about life the way life can actually be. Which is impressive and inspirational.

As for Daisy Goodwill, the subject of this book.... Well, there are few sadder lines than one of her last in the novel. I'd compare it, honestly, to the confusion of the main character in Margaret Laurence's The Stone Angel. (SPOILER ALERT) The line is, well, sort of chilling in its simplicity: "'I am not at peace.' -- Daisy Goodwill's final (unspoken) words."

An excerpt to consider:

"Life is an endless recruiting of witnesses. It seems we need to be observed in our postures of extravagance or shame, we need attention paid to us. Our own memory is altogether too cherishing, which is the kindest thing I can say for it. Other accounts are required, other perspectives, but even so our most important ceremonies -- birth, love, and death -- are secured by whomever and whatever is available." (p. 36-37)

Next up?

Well, what are you guys reading?

I'm reading Joseph Boyden's Born With A Tooth, which continues to highlight -- for me, at least -- Boyden's amazing style.

I'm also reading book blogs here and here, which I think you might enjoy. Too Many Books in the Kitchen is starkly analytical and challenging, while Is Well Read tells the stories of keen readers, some we know, some in war zones, some just witty and, um, well read?